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Resources and Assistance The following institutions, galleries and individuals have been very helpful in our research into Norman Lloyd and his work. Without their greatly appreciated assistance, we would not have been able to give you all the information presented in this website. Art Gallery of New South Wales, Sydney - Vivian Huang, Serials Library Technician; Eric Riddler, Librarian; Eriko Hidas, Librarian Art Gallery of Western Australia, Perth - Lucy Harper, Associate Curator of Historical Art Christopher Day Gallery, Paddington, Sydney - Christopher Day National Archives of Australia, Canberra Queensland Art Gallery, Brisbane - Judy Gunning, Head of Information and Publishing Services University of Sydney, University Art Gallery, Sydney - Louise Tegart, Senior Curator Trove, The National Library of Australia Victoria and Albert Museum Archives, London - Eva White, Assistant Curator, Archive of Art and Design, Word & Image Department London Sketch Club, London - Don Grant, London Sketch Club Archivist Gene Amend, collector and curator, Dallas, Texas. Gene has shared information and original materials (dating back to the 1920s and through to the 1960s) very generously with us and has helped to shed light on the reception of Norman Lloyd's work posthumously in the US. Terry Ingram, arts writer, Sydney Paul Greenberg, Sydney Ria Murch, Sydney Mike Rubbo, film maker, NSW Gillian Tindall, writer, UK. Gillan Tindall has very generously contributed with a personal account of Norman Lloyd's life in France and through her award winning book Celestine. John Wilkinson, Melbourne The family of Norman Lloyd, in particular Bruce Chenoweth and Jane Foy |
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